Gifts for Graphic Designers

A3 Wafer Light Panel

£185.00

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The A3 Wafer Light Panel is the latest generation of lightweight ultra slim side-lit light boxes for A3 paper using fully dimmable LED technology Providing an even spread of light with low heat emission, the Wafer light box is ideal for tracing, sketching, stencilling, calligraphy, scrap booking, embossing, embroidery, sewing and much more Supplied with a mains adaptor

Anthony Burrill signed screen print: 12345

£120.00

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12345 is a bold arrangement of found letterpress numbers counting from one to five Exclusive to the Design Museum Signed in pencil by artist Anthony Burrill Graphic artist Anthony Burrill combines a knack for simplicity that packs a punch with analogue craft skills and powerful, positive messages. Burrill frequently collaborates with other forward-thinking creatives across disciplines spanning music, architecture, curation, education and fashion; pushing his traditional discipline of choice, letterpress printing, into bold new territories Whether working on an art school pavilion, an acid house record, a book or a poster design, Burrill’s work is instantly recognisable. While his pieces all bear the marks of his letterpress process and all its joyful idiosyncrasies, Burrill’s direct and multidisciplinary approach is one that’s constantly evolving, combining tradition with bold new approaches and technologies Words, gentle humour, no-nonsense communication and people are at the heart of Burrill’s practice and his distinctive brand of upbeat messaging: its core DNA is one created through a longstanding passion for creativity, the power of simplicity and an innate curiosity about the world and people in it

Anthony Burrill signed screen print: I Like It. What Is It?

£120.00

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Re-new your relationship with the every day, create new meanings and strategies daily Exclusive to the Design Museum Signed in pencil by artist Anthony Burrill Graphic artist Anthony Burrill combines a knack for simplicity that packs a punch with analogue craft skills and powerful, positive messages. Burrill frequently collaborates with other forward-thinking creatives across disciplines spanning music, architecture, curation, education and fashion; pushing his traditional discipline of choice, letterpress printing, into bold new territories Whether working on an art school pavilion, an acid house record, a book or a poster design, Burrill’s work is instantly recognisable. While his pieces all bear the marks of his letterpress process and all its joyful idiosyncrasies, Burrill’s direct and multidisciplinary approach is one that’s constantly evolving, combining tradition with bold new approaches and technologies Words, gentle humour, no-nonsense communication and people are at the heart of Burrill’s practice and his distinctive brand of upbeat messaging: its core DNA is one created through a longstanding passion for creativity, the power of simplicity and an innate curiosity about the world and people in it  

Anthony Burrill signed screen print: You & Me

£120.00

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Everything is about the relationship between you and me Exclusive to the Design Museum Signed in pencil by artist Anthony Burrill Graphic artist Anthony Burrill combines a knack for simplicity that packs a punch with analogue craft skills and powerful, positive messages. Burrill frequently collaborates with other forward-thinking creatives across disciplines spanning music, architecture, curation, education and fashion; pushing his traditional discipline of choice, letterpress printing, into bold new territories Whether working on an art school pavilion, an acid house record, a book or a poster design, Burrill’s work is instantly recognisable. While his pieces all bear the marks of his letterpress process and all its joyful idiosyncrasies, Burrill’s direct and multidisciplinary approach is one that’s constantly evolving, combining tradition with bold new approaches and technologies Words, gentle humour, no-nonsense communication and people are at the heart of Burrill’s practice and his distinctive brand of upbeat messaging: its core DNA is one created through a longstanding passion for creativity, the power of simplicity and an innate curiosity about the world and people in it  

Bold, 1967, Design Magazine Print

£35.00

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From the Land of Lost Content archive comes the cover art from Design Magazine titled Bold, 1967, Design in the Soviet Union 40 x 50cm Add a magnetic frame

Creating a Brand Identity: A Guide for Designers

£19.95

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Creating a Brand Identity is a fascinating and complex challenge for the graphic designer. It requires practical design skills and creative drive as well as an understanding of marketing and consumer behaviour. This practical handbook is a comprehensive introduction to this multifaceted process Exercises and examples highlight the key activities undertaken by designers to create a successful brand identity, including defining the audience, analysing competitors, creating mood boards, naming brands, designing logos, presenting to clients, rebranding and launching the new identity Case studies throughout the book are illustrated with brand identities from around the world, including a diverse range of industries - digital media, fashion, advertising, product design, packaging, retail and more

Design for the Corporate World: 1950-1975

£35.00

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Architectural, industrial, and graphic design in the United States from the 1950s through to the 1970s - generally known as mid-century modern - is now perceived as a golden era, with artists such as Charles and Ray Eames, Eero Saarinen, and Eliot Noyes having become household names. This volume looks at the relationship between these designers and the companies who employed them, highlighting the political, social and cultural circumstances in which seminal design icons such as the Selectric Typewriter for IBM and the distinctive Westinghouse Electric Manufacturing Company logo were created It reveals not only why corporations during this period needed designers more than ever before, but also why designers felt ambivalent about their work for these large businesses. In doing so, it sheds new light on the changing self-image of the designer and on these famous mid-century graphic, product, and furniture designs Full colour throughout, this volume is richly illustrated with fascinating archival photography, concept sketches and beautiful illustrations of the logos, products and buildings designed for the companies

EPA Graphic Standards System

£60.00

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The EPA Graphic Standards System is one of the finest examples of a standards manual ever created. The modular and flexible system devised raised the standard for public design in the United States The book features a foreword by Tom Geismar, introduction by Steff Geissbühler, an essay by Christopher Bonanos, scans of the original manual (from Geissbühler’s personal copy), and 48 pages of photographs from the EPA-commissioned Documerica project (1970–1977) Printed in Italy