The Vinyl Word: Electronic Music Books & Magazines

Electronic: From Kraftwerk to The Chemical Brothers - Exhibition Catalogue

£20.00

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At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers, this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project. Reflecting the shifts in society over the past thirty years, electronic music has generated distinct visual languages as well as its own political and cultural ideals Edited by Jean-Yves Leloup, Gemma Curtin and Maria McLintock Designed by Agnès Dahan Studio and Design Museum Publishing

Kraftwerk 3D Book

£15.00

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For over forty years they have entertained us in a wordly, low-key way. All the while they've written music history and one hit after the other: the musicians of the techno pop band Kraftwerk Their depersonalised style has produced both sonic and visual master performances that are now even noticed by the world of contemporary visual arts, as a unique form of artistic performance. The visual and musical metamorphosis of the group that is indeed more of a power plant than a band, has always been driven by the development of new technologies Now they are presenting Kraftwerk videos in 3D projections in a museum tour in Munich, London, and New York that will, of course, also be part of future Kraftwerk concerts. The book, complete with 3D glasses, will be published by Schirmer/Mosel The essay is by Matthias M hling, curator of the October 2011 show in Munich

Kraftwerk: Future Music from Germany

£9.99

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The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Dusseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age

Bass Mids Tops: An Oral History of Sound System Culture

£25.00

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An oral history of the UK's soundsystem culture, featuring interviews with Dubmaster Dennis Bovell, Skream, Youth, Norman Jay MBE, Adrian Sherwood, Mala, and others In the years following the arrival of the Windrush generation, the UK's soundsystem culture would become the most important influence on contemporary pop music since rock and roll. Pumped through towering, home-built speakers, often directly onto the thronged streets of events like the Notting Hill Carnival, the pulsating bass lines of reggae, dub, rave, jungle, trip hop, dubstep, and grime have shaped the worlds of several generations of British youth culture, but have often been overlooked by historians obsessed with swinging London, punk, and Britpop This oral history, consisting of new interviews conducted by respected dance music writer Joe Muggs, and accompanied by dramatic portraits by Brian David Stevens, presents the story of the bassline of Britain, in the words of those who lived and shaped it

Join The Future: Bleep Techno And The Birth Of British Bass Music

£14.99

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Since the dawn of the 1990s, British dance music has been in thrall to the seductive power of weighty sub-bass. It is a key ingredient in a string of British-pioneered genres, including hardcore, jungle, drum & bass, dubstep, UK garage and grime In Join The Future, dance music journalist Matt Anniss traces the roots, origins, development and legacy of the sound that started it all: the first distinctively British form of electronic dance music, bleep techno A mixture of social, cultural, musical and oral history, Join The Future reveals the untold stories of bleep's Yorkshire pioneers and those that came in their wake, moving from electro all-dayers and dub soundsystem clashes of the mid-1980s to the birth of hardcore and jungle in London and the South East. Along the way, you'll find first-hand accounts of key clubs and raves, biographies of forgotten and overlooked production pioneers, stories of bleep outposts in Canada and the United States, and the inside story of the early years of one of electronic music's most iconic labels, Warp Records

For the Record: Conversations with People who have Shaped the Way We Listen to Music

£25.99

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To celebrate its fifteenth anniversary, the Red Bull Music Academy has curated conversations with masterminds and trailblazers in today's music on their perspectives and strategies for success The Red Bull Music Academy is creating the future of music by bringing the vanguard of the industry together. In the book For the Record, the leaders shaping the current musical landscape offer their insights on today's most relevant topics and how they will affect the evolution of music production For the Record includes conversations between luminaries such as Nile Rodgers and Martyn Ware—the forces behind some of the biggest tunes in disco and pop from the likes of Chic, Daft Punk, David Bowie, Madonna, The Human League, and Heaven 17—who compare notes on the best way to create chart-topping hits. Erykah Badu, one of neo-soul's defining voices, shares career advice and psychedelic wisdom with up-and-coming New York rap duo The Underachievers. DJ Harvey and Ben UFO, two different generations of DJs, talk about the good old days, the present day, and the uncertain future of selecting records for a living. Jamaican visionary Lee "Scratch" Perry is paired with UK dub producer Adrian Sherwood. Those familiar with Perry's unique worldview will not be disappointed by this surprising and funny conversation

The Secrets Of Dance Music Production

£29.99

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The world's leading electronic music production magazine delivers the definitive guide to making cutting-edge dance music Featuring 312 colour pages packed with technique, tips, illustrations and hands-on walkthroughs, The Secrets of Dance Music Production pulls together everything you need to take a mix from concept to club-ready master - whether you make house or techno, 2-step or D&B, EDM or trance Topics include: studio fundamentals, the golden rules of mixing, essential techniques, improving writing chops, bigger beats, learning from the masters and more

Creation Stories: Riots, Raves And Running A Label

£12.99

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Alan McGee's role in shaping British musical culture over the past thirty years is hard to overstate. As the founder of Creation Records he brought us the bands that defined an era. A charismatic Glaswegian who partied just as hard as any of the acts on his notoriously hedonistic label, he became an infamous character in the world of music In Creation Stories he tells his story in depth for the first time, from leaving school at sixteen to setting up the Living Room club in London, which showcased many emerging indie bands, from managing the Jesus and Mary Chain to co-founding Creation when he was only twenty-three. His label brought us acts like My Bloody Valentine, House of Love, Ride and, of course, Primal Scream Embracing acid house, Alan decamped to Manchester and hung out at the Hacienda, and took Creation into the big time with Screamadelica. His drug-induced breakdown, when it came was dramatic. But, as he climbed back to sobriety, he oversaw Oasis's rise to become one of the biggest bands in the world Alan himself becoming one of the figureheads of Britpop. Having sold the label to Sony to stave off bankruptcy, he became disenchanted with the increasingly corporate ethos and left in 1999. Since then he's continued to be an influential figure in the music industry, managing the Libertines and most recently setting up a new label, 359 Music, with Cherry Red